SOLO AND TWO PERSON EXHIBITIONS
| 2022 | Psychostasia, Michael dal Brusa Palazzo, Venice, Italy |
| 2019 | Unsettled Matter by Holly Zausner and Dreams to Reality by Mott Hupfel, Edward Hopper House Museum and Study Center, Nyack, NY |
| 2016 | 10th Avenue NY, NY 10011, Moore College of Art and Design, Philadephia, PA |
| 2015 | Unsettled Matter, Postmasters, New York, NY Unsettled Matter, Loock Galerie, Berlin, Germany |
| 2012 | A Small Criminal Enterprise, Postmasters, New York, NY Cinemania (two person exhibition with Harun Farocki), Herbert F. Johnson Museum at Cornell University, Ithaca, New York |
| 2011 | unseen, University of Tennessee, Knoxville, TN |
| 2010 | Re-Edit, Galerie Wohnmaschine, Berlin, Germany |
| 2008 | Film Drawings, Galerie Wohnmaschine, Berlin, Germany |
| 2007 | Unseen, Bode-Museum, Berlin, Germany Unseen, Galerie Wohnmaschine, Berlin, Germany |
| 2005 | Second Breath, Neue Nationalgalerie Berlin, Germany Second Breath, Galerie Wohnmaschine, Berlin, Germany |
| 2003 | The beginning…, Kunstwerke, Berlin, Germany The beginning…, Galerie Wohnmaschine, Berlin, Germany The new beginning, Kunstverein Goettingen im Kuenstlerhaus, Germany |
| 2002 | G- Woman/ G-Man, Württembergischer Kunstverein, Stuttgart, Germany |
| 2001 | G-Woman, Galerie Wohnmaschine, Berlin, Germany |
| 1999 | Galerie Wohnmaschine, Sculpture Statement Art Cologne, Cologne, Germany Jesus died for somebody’s sins, but not mine, Galerie Wohnmaschine, Berlin, Germany |
| 1998 | Caren Golden Fine Art, New York, NY |
| 1997 | More Lost Illusions, Galerie Wohnmaschine, Berlin, Germany More Lost Illusions, Verein zur Förderung Künstlerischer Projekt Mit gesellschaftlicher Relevanz e.V., Wiesbaden, Germany Lost Illusions, Gramercy International Contemporary Art Fair, New York, NY |
| 1996 | Blue Angel, Galerie Wohnmaschine, Berlin, Germany |
| 1992 | Sculpture Center, New York, NY |
SELECTED GROUP EXHIBITIONS
| 2023 | Nationalgalerie: A Collection for the 21st Century, Curated by by Sam Bardaouil, Till Fellrah and Christine Nichols, Hamburger Bahnhof, Berlin |
| 2021 | Nation, Narration, Narcosis: Collecting Entanglements and Embodied Histories, Hamburger Bahnhof, Berlin The Gift, Singapore Art Museum, Singapore |
| 2017 | Seen & Heard: An Active Commemoration of the Suffrage Movement, Curated by DJ Hellerman, Everson Museum, Syracuse, NY |
| 2015 | Women Crush Wednesday, Postmasters Gallery, New York, NY The Transportation Business, Curated by Gregory Volk, Jane Lombard Gallery, New York, NY |
| 2013 | Coming Together: Surviving Sandy, Curated by Phong Bui, Brooklyn, NY |
| 2012 | Shelf Life, Berlin Collective, Berlin, Germany |
| 2009 | Zeigen. An Audio tour through Berlin by Karin Sander, Temporaere Kunsthalle, Berlin, Germany |
| 2008 | LOOP ’08 BARCELONA, International Festival and Fair for Video art, Barcelona, Spain TEMPO, TEMPO!, Das Phanomen der Geschwindigkeit im Film, Opelvillen Rüsselsheim, Rüsselsheim, Germany |
| 2007 | Agitation and Repose, Tanya Bonakdar Gallery, New York, NY |
| 2005 | Skirting the Line: Conceptual Drawing, DePauw University, Greencastle, IN Realism Reversed, gallery Christian Dam, Copenhagen, Denmark, Oslo, Finland Loop ’05, Barcelona, Spain |
| 2004 | Film Program, NGBK, Berlin, Germany |
| 2003 | Himmelschwer, Landesmuseum Joanneum, Graz, Austria Brandts Klaedefabrik, Odense, Denmark |
| 2002 | UN RAPPORT D’OEIL, Galerie Müller-Roth, Stuttgart, Germany Log- in/ Locked out, Akademie der Künste/Academy of Arts, Berlin, Germany |
| 2001 | Horizont, Art Agents Gallery, Hamburg, Germany Once, Then Something, Sculpture Center, New York, NY Face off, Art Cologne, Germany |
| 2000 | Group Show, Galerie Hafemann, Wiesbaden, Germany |
| 1998 | Fashioned, White Box, New York, NY Brite Magic, Islip Art Museum, East Islip, NY Shake, PS 122, New York, NY Ordinary/Extraordinary: Anne Agee, Aric Obrosey, and Holly Zausner, Johnson County Community College Gallery of Art, Overland Park, KS |
| 1997 | Strange Days, Caren Golden Fine Arts, New York, NY Canny, Art Projects International, New York, NY Projectroom, Galerie Margrit Gass, Basel Switzerland Flex Color, Apex Art, New York, NY. Curated by Raphael Rubinstein. White Out, Workspace, New York, NY |
| 1995 | Ooze, Black and Heron Space, New York, NY Between This and That, 8th Floor Gallery, New York, NY Table of Contents, 450 Broadway Gallery, New York, NY Body as Metaphor, Bard College, Annandale on Hudson, NY |
| 1994 | Random Access, Ranmarine Gallery, Long Island City, NY Reverence for Clay/Irreverence, Trans Hudson Gallery, Jersey City, NJ |
| 1993 | Bodily, Penine Hart Gallery, New York, NY Suspended Figure II, Saint Peter’s Church, New York, NY |
| 1990 | Image, Object Abstracted, City University Graduate Center, New York, NY An Obscure Object to Desire, Marymount College Gallery, New York, NY |
| 1989 | Emerging Sculptors, Sculpture Center, New York, NY Two Person Show, The Gallery, New York, NY |
| 1987 | Group Exhibition, Bond Gallery, New York, NY |
SCREENINGS
| 2019 | Site Specific Video Installation: 5 iconic films chosen by Holly Zausner, Garner Art Center, Garnerville, NY |
| 2018 | Double Feature, Holly Zausner, Unsettled Matter and Chris Marker, La Jettee, Schirn Kunsthalle, Frankfort, Germany |
PERFORMANCES
| 2004 | Landesmuseum Joanneum, Graz, Austria Brandts Klaedefabrik, Odensee, Denmark Goettinger Kunstverein, Goettingen, Germany |
| 2002 | G- Woman/ G-Man, Württembergischer Kunstverein, Stuttgart, Germany |
AWARDS
| 2006 | DAAD Film Grant, Berlin, Germany |
| 1997 | Verein zur Förderung künstlerischer Projekte mit gesellschaftlicher Relevanz e.V., Wiesbaden, Germany |
| 1993 | Artist’s Fellowship, New York Foundation for the Arts, Sculpture |
BIBLIOGRAPHY
Reichelt, Matthias, “Allein in New York,” Tagesspiegel, March 7, 2015
Streitfeld, Lisa Paul, “(R)evolution as Contemporary Body: Holly Zausner’s Resplendent Unsettled Matter,” The Huffington Post, March 3, 2015
“Dazu einladen, die Stadt zu sehen,” Die Tageszeitung, February 9, 2015
Wei, Lilly, “Holly Zausner: The Doppelganger Stretch,” ARTnews, 2014
Rubinstein, Raphael, “In Conversation: Holly Zausner,” Brooklyn Rail, 2012
McElheny, Josiah, “Holly Zausner’s Bodies”, BOMB, Fall, 2008
Rubinstein, Raphael, “Watching the Skies”, Art in America, November, 2004
Cardella, Avis, “ueber alles”, British Vouge, December, 2003
Rubinstein, Raphael, “Plychrome Profusion, Selected Art Criticism: 1990-2002”, Hard Press Editions, 2003
Schmid, Karlheinz, “Die neuen Aufsteigerinnen”, Kunstzeitung, January, 2002
“Die neuen Aufsteigerinnen”, Kunstzeitung, January, 2002
Charley Magazine, Charley 01, 2002
Stiller, Veit, “Der rätselhafte Tanz der gelben Gummischlangenfrauen”, Die Welt, November, 2001
Werneburg, Brigitte, “Eine endlose, niemals endgültige Form”, Die Tageszeitung, October, 2001
Jana, Reena, “Once Then Something”, Time Out New York, April 19-26, 2001
Johnson, Ken, “Art in Review: Once Then Something”, The New York Times, April 20, 2001
Levin, Kim, The Village Voice, April 17, 2001
Levin, Kim, The Village Voice, March 6, 2001
Russ, Sabine and Volk, Gregory, “Once, Then Something”, New York Arts, March, 2001
Nikolova, Milena, “Reviews,” Flash Art, November-December, 1999
Koplos, Janet, “Holly Zausner at Caren Golden”, Art in America, September, 1999
Muller, Katrina Bettina, ”Das Wesendes Abwesenden,”Der Tagespiegel, June 26, 1999
Henze, Nikola, “ Klinische Suenden,”Berliner Morgenpost, June 24,1999
Bakke, Erik, “Studio Visit with Holly Zausner”, NY ARTS, June, 1999
Levin, Kim, “Voice Choices,” The Village Voice, November 25, 1998
Muller, Mario M, “The Syntax of Media: Daniella Dooling at Anna Kustera Gallery and
Newhall, Edith, “Talent,” New York Magazine, November 16, 1998
“Holly Zausner at Caren Golden Fine Art,” Review, November 15, 1998
Johnson, Ken, “Holly Zausner,” The New York Times, November 13, 1998
“Critic’s Picks: Shake,” Time Out New York, June 18-25, 1998
Walz, Cara, “Beautiful Pop,” Pitch Weekly, April 2-8, 1998
Thorson, Alice, “A Way Out of the Ordinary,” The Kansas City Star, March 29, 1998
Goldman, Christopher, “Jewish artist part of modern art exhibit at JCCC through April
29,” The Kansas City Jewish Chronicle, March 20, 1998
Johnson, Ken, “Art in Review: Strange Days,” The New York Times, January 2, 1998
Levin, Kim, “Strange Days – Voice Choice,” The Village Voice, December 23, 1997
Werneburg, Brigitte, “Klare sprachliche Unklarheit und andere Trübheiten,” TAZ, October 11, 1997
Wünnenberg, Inge, “Dynamik des Früstücks,” Frankfurter Allgemeine, July 21, 1997
Phillips, Christopher, “Berlin ’97: Surge to the Mitte,” Art in America, January, 1997
Fiedler, Tanja, “Holly Zausner,” Ticket, Number 42, 1997
Fiedler, Tanja, “Pretty in Pink: Holly Zausner’s schöne neue Welt aus Gips,” Ticket,
Number 41, 1997
Muller, Katrin Bettina, “Neues aus Berliner Galerien,” Tip, June 27, 1996
Ebeling, Knut, Berliner Zeitung, June 12, 1996
Watkins, Eileen, “Reviews,” Newark Star Ledger, September 3, 1995
Raynor, Vivien, “Diverse Visions, Common Ground,” The New York Times, July 30,1995
Melrod, George, “New York Reviews,” Sculpture, January/February, 1994
Watkins, Eileen, “Reviews,” Newark Star Ledger, December 5, 1993
Zimmer, William, “Sculpture at Two Displays in Wayne,” The New York Times, December 5, 1993
Raven, Arlene, “Days With Art,” The Village Voice, October 5, 1993
Melrod, George, “New York Reviews,” Sculpture, July/August, 1993
CATALOGS
Stemmrich, Gregor. “unseen”. Berlin, Germ,any, Bode-Museum, 2007
Johnson, Kaytie. Skirting the Line: Conceptual Drawing. Greencastle, IN, DePauw University, 2005
Petersen, Helen. Reversed Realism. Copenhagen, Denmark, Christian Dam Gallery, 2005
Christofori, Ralf. Blending Opposites. Berlin, Germany, Galerie Wohnmaschine, 2001
Schwabsky, Berry. About Plasticity. Berlin, Germany, Galerie Wohnmaschine, 2001
Arning, Bill. Ordinary/Extraordinary: Anne Agee, Aric Obrosey, Holly Zausner. Overland Park,
KS: Johnson County Community College Gallery of Art, 1998
Rubinstein, Raphael. Flex Color. New York, NY: Apex Art, 1997
Schwabsky, Barry. White Out. New York, NY: The Workspace, 1997
Rubinstein, Raphael. Holly Zausner. Berlin, Germany: Galerie Wohnmaschine, 1996
Russ, Sabine, ”Jesus died for somebody’s sins, but not mine” Berlin, Germany,
Princenthal, Nancy. Idio Cognito. New York, NY: Police Building, 1993
Weld, Allison. Holly Zausner. New York, NY: Sculpture Center, 1992
Griffiths, Marian. Four Sculptors. New York, NY: Triplex Gallery, BMCC, 1990
COLLECTIONS
Neue Nationalgalerie, Berlin, Germany
Centre Pompidou, France
NBK, Berlin, Germany